Anton Raphael Mengs
1728-1779
Dutch
Anton Raphael Mengs Gallery
Mengs was born in 1728 at Usti nad Labem (German: Aussig) in Bohemia on 12 March 1728; he died in Rome 29 June 1779. His father, Ismael Mengs, a Danish painter, established himself finally at Dresden, whence in 1741 he took his son to Rome.
In Rome, his fresco painting of Parnassus at Villa Albani gained him a reputation as a master painter. The appointment of Mengs in 1749 as first painter to Frederick Augustus, elector of Saxony did not prevent his spending much time in Rome, where he had married Margarita Quazzi who had sat for him as a model in 1748, and abjured the Protestant faith, and where he became in 1754 director of the Vatican school of painting, nor did this hinder him on two occasions from obeying the call of Charles III of Spain to Madrid. There Mengs produced some of his best work, and specially the ceiling of the banqueting-hall of the Royal Palace of Madrid, the subject of which was the Triumph of Trajan and the Temple of Glory. Among his pupils there was Agust??n Esteve. After the completion of this work in 1777, Mengs returned to Rome, and there he died, two years later, in poor circumstances, leaving twenty children, seven of whom were pensioned by the king of Spain. His portraits and autoportraits recall an attention to detail and insight, often lost from the grand manner paintings.
Besides numerous paintings in the Madrid gallery, the Ascension and St Joseph at Dresden, Perseus and Andromeda at Saint Petersburg, and the ceiling of the Villa Albani must be mentioned among his chief works. In 1911, Henry George Percy, 7th Duke of Northumberland, possessed a Holy Family, and the colleges of All Souls and Magdalen, at Oxford, possessed altar-pieces by Mengs's hand.
In his writings, in Spanish, Italian and German, Mengs has put forth his eclectic theory of art, which treats of perfection as attainable by a well-schemed combination of diverse excellences Greek design, with the expression of Raphael, the chiaroscuro of Correggio, and the colour of Titian. He would have fancied himself the first neoclassicist, while in fact he may be the last flicker of Baroque art. Or in the words of Wittkower, In the last analysis, he is as much an end as a beginning.
His intimacy with Johann Joachim Winckelmann, who constantly wrote at his dictation, has enhanced his historical importance, for he formed no scholars, and the critic must now concur in Goethe's judgment of Mengs in Winckelmann und sein Jahrhundert; he must deplore that so much learning should have been allied to a total want of initiative and poverty of invention, and embodied with a strained and artificial mannerism.
Mengs was famous for his rivalry with the contemporary Italian painter Pompeo Batoni. Related Paintings of Anton Raphael Mengs :. | Self-Portrait | All Souls College | Infanta Maria Josefa | Portrait of Domenico Annibali (1705-1779), Italian singer | Helios as Personification of Midday | Related Artists: Johann Christian Brand(March 6, 1722 ?C June 12, 1795)was an Austrian painter (son of the German painter Christian Hilfgott Brand (1694-1756) who taught in Vienna with Karl Aigen) and brother of Friedrich August Brand.Johann Christian Brand influenced ending the baroque era of landscape painting. He died in Vienna.
Johann Christian Brand was born in Vienna on March 6, 1722. Influential in ending the baroque era, Johann studied at the Vienna Academy from 1736.He was awarded with the titles Kammermaler* in 1766 and "Professor of Landscape Drawing" in 1772. Adrian Ludwig RichterGerman, 1803-1884
German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period. Peder Severin KroyerNorwegian-born Danish Painter, 1851-1909
Norwegian-Danish painter, was born in Stavanger, Norway to Ellen Cecilie Gjesdal. He is one of the best known and beloved, and undeniably the most colorful of the Skagen Painters, a community of Danish and Nordic artists who lived, gathered or worked in Skagen, Denmark, especially during the final decades of the 1800s. Krøyer was the unofficial leader of the group. The mother having been judged unfit, he was given to be cared for by Gjesdal's sister and the sister's husband. Along with the foster parents, he moved to Copenhagen soon afterwards. He began his art education at nine years of age under private tutelage, and was enrolled in Copenhagen's Technical Institute the following year. In 1870 at the age of 19 he completed his studies at the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi), where he studied with Frederik Vermehren. In 1873 he was awarded the gold medal and a scholarship. His official debut as a painter was in 1871 at Charlottenborg with a portrait of a friend, painter Frans Schwartz. He exhibited regularly at Charlottenborg throughout his lifetime. In 1874 Heinrich Hirschsprung bought his first painting from Krøyer,
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